
I ask for training and for my sins my employer ships me off to Las Vegas for a tech conference where, car-less, I spend five days in a very large, very clean, very expensive hotel listening to smart people lecture on all the latest trends in software development. The air conditioned conference rooms are full of 30 and 40 year-old programmers (mostly men, but there are a few women, too) who listen intently through countless powerpoints and screens of computer code.

We all smile and nod as if we understand what the presenters are saying. I watch my fellow software engineers closely and realize that, like me, they're all scared shitless by what's happening in the tech industry. We dutifully jot down snippets of code or Internet URLs into our laptops and iPads, but inside we're all wondering if the mobile Internet tsunami that's approaching will be the wave that finally washes us up onto the beach of greying irrelevance.
On the second day I bust out of the mega-hotel's sterile compressed air environment onto the Las Vegas strip in search of the sun and something beautiful to point my camera at. I photograph some of the buildings, walk the sidewalks, and try to wrap my head around this very strange place the gods of capitalism have built in the desert.

I see some homeless guys sitting on a pedestrian overpass. They wear enigmatic expressions on their faces and hold crude cardboard signs in their laps. "Need money for my kids" or "Unemployed - please help. God bless you." Shunned away from the others is another man holding a sign reading "I won't lie to you. I just need to get a whore."
I look at them and slowly realize that I've happened upon a tragic logic puzzle: which of the men is the real liar? Which, if any, of the men is deserving of a few dollars? There has to be some profound statement in this arrangement, some penetrating insight into the human condition, but the noise of the traffic is too distracting for subtle thinking and I walk on, feeling guilty - and a little stupid - that I couldn't see the solution.
The next morning I see a man dressed in jogging attire talking animatedly with something inside one of the ubiquitous garbage cans. I assume he is talking on a bluetooth headset to someone who is not present. But then I notice that his sweatpants are soiled and he is obviously not a tourist out for an early jog. When he departs I consider looking inside the trash can to see who (or what) he was speaking with, but chicken out. Perhaps it was the Las Vegas version of Oscar the Grouch, someone best left alone.

Farther along I notice that the walkway is covered with what looks like leaves. Groundskeepers from nearby hotels glide along on humming sweepers, swirling and pushing the leaves this way and that. They leave long slimy trails behind them like giant snails. When I get closer I discover that it is not leaves they are sweeping up, but rather playing-card sized advertisements for escort services. On the tiny squares of cardboard are printed pornographic pictures and telephone numbers: asians, barely legal, big tits, small tits. I resist the insane urge to shuffle and kick my feet through the cards, as I did just a week prior in the freshly fallen aspen leaves of the Kachina Peaks Wilderness.
Later I sip Starbucks coffee and eat a banana that I paid way too much for. In this drought-stricken land I stand near acres of water, complete with fountains that jet into the air every few minutes across the surface in sequence. The jets of water dance and whirl across the man-made lake, culminating in a big finale with all the spouts shooting water up into the air together. I think they filmed a scene from Ocean's 11 here, but I'm not sure. The lone mallard duck bobbing along the edge of the water is no help. Apparently he is not a George Clooney fan.

A woman dressed in a sharp suit with a name tag from one of the nearby mega-hotels stomps by. She screams "I AM NOT UNREASONABLE I AM NOT UNREASONABLE I AM NOT UNREASONABLE!!!!" into her cell phone. I look at the mallard and he rolls his eyes.
It's dark and huge mega-hotels covered with neon and glass tower above me. Crowds of tourists speaking Japanese and German and French and even some English pack the sidewalks. They all have camera phones, which they use incessantly. I take a few photographs of the glowing buildings against the twilight, practicing motion blur techniques with the moving traffic. I feel like I've stepped into the dystopic movie Blade Runner.

Three of us from the conference meet at a mexican restaurant for drinks and dinner. It is our last night in Vegas and the conference is over; tomorrow we head home. A trio of mariachis play a quirky cover of the Eagles' "Hotel California" and I watch the 30-something waitress working the tables. When she thinks no one is looking her perky smile fades and is replaced by a look of infinite weariness. She is unbearably beautiful.

It has been a long week and the beer hits me hard, buzzing its way straight to my brain.
And then, sitting there in the noise and hustle of the restaurant it comes to me: The homeless men on the bridge were playing at a variant of the Liar's Paradox, and thus, there was no solution to their little game at all.